Some great packaging design from third-year student Ruth Pearson. I especially like the aesthetic of the self-initiated Tesco Value rebrand. There's something really fit for purpose about the look, even if the idea itself is probably flawed — prices in supermarkets fluctuate so wildly that you'd need to reprint the labels constantly, I would have thought.
Via the Die Line, which has been turning up some really excellent packaging design recently.
“ When you tell people something about type design, they would always come up with the idea that Futura is probably the best legible typeface, because people understand how the forms are being made — this is a circle, this is a triangle... People think that if they can understand how letters are being constructed, they can also read them easily, but that is nonsense. One doesn't need to understand the way letters are made before one gets to read them. ”
This ticks all of the boxes for me — a seven-track album by Kutiman, created entirely from samples taken from YouTube . The site (built by Bacon Oppenheim, who are now ones to watch as far as I'm concerned) is the perfect visual and functional reaction to the album's concept. I recommend you taken the suggestion that came to me with the link, and make sure you check out track 3 right away. This is not music that needs the site's high concept to carry it — and this whole project is the kind of thing that makes me excited every day to be working on the web.
A bit late on this one — in fact, over a year behind. Sadly, it took me that long to properly appreciate this cracking little Justice mix. Story is, Fabric turned this down for a mix CD, so Justice decided to just release it onto the web by themselves. It's a pretty random selection — a bunch of old disco, a few ballads, a nice little pinch of prog rock, and so on. But it's a lot of fun — check it out, you might get it a bit quicker than I did.
It's things like this that remind me that our fancy 'culture' is really just the results of a bunch of hairless monkeys, walking around and making noises. Apparently, this is the pitched design document that won Arnell the $1.5 million Pepsi rebrand.
Via Ben Goldacre, who has an interesting piece on how bullshit marketing pseudo-science like this is actually harmful to the reputations of real, actual scientists.
Edge magazine is taking its' 200th issue pretty seriously — by putting out 200 different cover images. Some of them are excellent!
Unfortunately, subscribers are apparently all being sent the Littlebigplanet version. While I love Littlebigplanet, I'd much rather have one of the others — for instance, any of the 25 above. And I'm definitely going to be scouring the local newsagents for that Elite cover...